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Artist The Krank created the temporary land art installation “Wound” in Erimitis, northeast of Corfu, Greece. Erimitis is one of the last large-scale undeveloped coastal ecosystems in northeastern Corfu, and the installation is being placed on a piece of land that has been bulldozed during the 2021 development project. The work will be presented to the public on September 26-27, 2026, combining land art with local participation to arouse people’s attention to the future of this landscape. The work encountered by residents and visitors both responds to this specific site and points to the growing number of natural landscapes bearing traces of human intervention.
▼Video, video © The Krank
Artist The Krank created Wound, a temporary land art installation, on a stretch of land crossed by bulldozers during the 2021 development works in Erimitis, one of the last large undeveloped coastal ecosystems in northeastern Corfu, Greece. Presented to the public on 26–27 September 2026, the work brought together land art and local participation to draw attention to the landscape’s future. Residents and visitors encountered an artwork that speaks both to this particular place and to the growing number of natural landscapes bearing the marks of human intervention.
▼Aerial view of “Wound” – a 50-meter-long temporary installation created by The Krank in Erimitis,
aerial view of Wound, a temporary 50-metre-long installation in Erimitis by The Krank © The Krank
▼View from above on the “wound” in the coastal landscape of Erimitis, Corfu,
Wound seen from above in the coastal landscape of Erimitis, Corfu © The Krank
In “Wound”, the environment is symbolically transformed into a body. A huge red incision seemed to cut open the earth, and black sutures seemed to pull the two sides together. Familiar images of bodily trauma are transposed to the scale of the landscape, making the fragility of the natural environment tangible through something familiar to our own bodies. The stitching introduces a human presence to the work – not just symbolically, but also in the creative process. Local community members and Save Erimitis participants worked together to create and position the sutures, making the act of suturing itself a collective gesture. This gesture pays tribute to those who have protected Erimitis over the years and echoes any positive action to protect oppressed places. “Care” thus transcends artistic metaphors and acquires a real and collective dimension in the face of plunder and intervention. Sutures do not erase the wound or undo the trauma, but they close it up and create the conditions possible for healing.
In Wound, the environment is symbolically transformed into a body. An oversized red incision appears to split the land open, while black stitches seem to hold its two sides together. A familiar image of bodily trauma is transferred to the scale of the landscape, making the vulnerability of the natural environment tangible through something we recognize from our own bodies. The stitches introduce a human presence into the work, not only symbolically but through the process of making it. Members of the local community and the Save Erimitis initiative took part in creating and positioning them, turning the act of stitching itself into a collective gesture. The gesture refers to those who have defended Erimitis for years, while also speaking more broadly to any active attempt to protect a place under pressure. Care therefore moves beyond artistic metaphor and takes on a real, collective dimension in response to exploitation and intervention. The stitches do not erase the wound or undo the trauma. They hold it closed, creating the conditions in which healing might become possible.
▼Save Erimitis members gather next to the “wound”, with the coastal wetlands and woodlands of Erimitis in the background,
members of Save Erimitis gather beside Wound, with the coastal wetland
and woodland of Erimitis in the background © The Krank
▼Visitors closely follow the sutured “incisions” through the Erimitis landscape,
visitors encounter Wound at close range, following the stitched incision
through the Erimitis landscape © The Krank
“During the days when Erimitis was creating, no matter the sun or rain, from early morning until the moon rose, I walked its paths and approached it from the sea. The landscape was constantly changing, and the contact with the locals who guarded it day after day allowed me to truly get to know this land in just a few days. I can no longer imagine that the ‘development’ here can be anything other than protected as it is.”
“While working on the artwork in Erimitis, under the sun and in the rain, from early morning until the moon rose, I walked its paths and approached it from the sea as well. The landscape was constantly changing, and my daily contact with the locals who have been defending it allowed me, within just a few days, to genuinely come to know this place. I can no longer imagine ‘development’ here as anything other than preserving it as it is.”
▼Installation process: The Krank used beach stones to secure the fabric.
the installation process: The Krank secures the fabric using stones from the beach © The Krank
▼Details of the installation: The red fabric is connected with the shoreline stones.
detail of the installation, where the red fabric meets the stones of the shoreline © The Krank
The “wound” is not placed anywhere in Erimitis. The area where the installation is located is exactly the area that bulldozers have already rolled over in previous development plans. The symbolic image of scars thus rests on the real traces of human intervention on the land. Controversy over the future of Erimitis began in 2012, when Greece’s state-owned asset development fund TAIPED initiated the development process for the publicly owned land. A year later, the binding offer submitted by NCH Capital was approved. The subsequent Kassiopi project envisages a development including a five-star hotel, up to 40 villas and a 57-berth marina. Its size and location raised serious environmental concerns—the proposed development involves an exceptionally sensitive ecosystem containing protected wetlands and coastal habitats—and sparked years of mobilization by residents and local organizations. Construction started in 2021, but after years of controversy, legal action and local mobilization, the original plan failed to move forward. According to a report by To Vima on September 10, 2026, the land appears to be under the control of an investment group associated with Calamos Investments; at the time of the report, a complete and binding new master plan had not yet been announced. “Wound” responds to this uncertainty, connecting the visible traces left by early construction with the artist’s questioning of the future of the landscape. The sutured wound exists precisely in this state: it does not present destruction as a destined outcome, but asks whether an already injured place will be allowed to heal, or whether the wound will be opened again.
Wound was not placed at an arbitrary location in Erimitis. The installation was created on a section of the area where bulldozers had already passed during works connected to the previous development plan. The symbolic image of an injury was therefore positioned over a real trace of earlier human intervention in the land. The dispute over the future of Erimitis began in 2012, when Greece’s state asset development fund, TAIPED, initiated the process of developing the publicly owned site. A year later, the binding offer submitted by NCH Capital was The Kassiopi Project that followed envisaged a development including a five-star hotel, up to 40 villas and a 57-berth marina. Its scale and location raised serious environmental concerns and prompted years of mobilization by residents and local organizations, as the proposed development affected a particularly sensitive ecosystem containing protected wetlands and coastal habitats. Construction works began in 2021, but after years of dispute, legal action and local mobilization, the original plan did not proceed. According to reporting published by To Vima on 10 September 2026, the property appeared to be under the control of an investment group connected to Calamos Investments. The article reported that a complete and binding new master plan had not been made public at that time. Wound responds to this uncertainty, connecting a visible trace of the earlier works with the artist’s questions about the landscape’s future. The stitched Wound exists within precisely this condition. Rather than presenting destruction as a foregone conclusion, it asks whether a place that has already been injured will be allowed to heal — or whether the wound will be opened again.
▼In the same place where “Wound” was created, construction in 2021 has left visible traces on the ground.
at the same site where Wound was created, the 2021 works had
already left visible traces on the ground © The Krank
During the two-day public presentation, residents and visitors took part in walks led by Save Erimitis and scientific advisors, learning about the ecological richness of the area and the uniqueness of its ecosystem. Even for those familiar with Erimitis, the presence of scientists provided a different way of reading a landscape they thought they knew. The end of the hiking route is the “wound” – where scientific knowledge meets artistic experience. The Krank introduces the work to the public and initiates conversations around care and human intervention. Information about the Erimitis ecosystem, biodiversity and ecological value gained another dimension through the encounter with the work and the subsequent conversation.
Over the two days of the public presentation, residents and visitors had the opportunity to take part in organized walks led by Save Erimitis together with scientific advisers, who introduced participants to the area’s ecological richness and the distinctive characteristics of its ecosystem along the route. Even for people already familiar with Erimitis, the presence of the scientists offered a different way of reading a landscape they thought they knew. The route culminated at Wound, where scientific knowledge met artistic experience. The Krank presented the work and opened a discussion with the public around care and human intervention. Information about the ecosystem, biodiversity and ecological value of Erimitis acquired another dimension through the encounter with the artwork and the conversation that followed.
▼During the public display, visitors take part in a guided coastal walk,
visitors take part in a guided coastal walk during the public
presentation of Wound in Erimitis © The Krank
▼Visitors gathered next to the “wound”,
visitors gather beside Wound during its public presentation © The Krank
Erimitis is located on the northeastern tip of Corfu, between Avlaki and Agios Stefanos. Within a relatively compact area, dense Mediterranean woodland, three coastal wetlands, a rocky coast and seven undeveloped coves coexist, forming one of the most complex natural mosaics on the island. Its ecological significance extends from land to sea. Hundreds of plant species, dozens of bird species and more than 200 marine species have been recorded in the area, and vast meadows of Posidonia seagrass cover the coastal seabed. The three wetlands are part of a larger ecosystem, connected to the Albanian coast and the protected Butrint National Park on the other side. It is the coexistence of forests, wetlands and sea in an almost continuous undeveloped coast that makes Erimitis a precious natural ecosystem – not only for Corfu, but for the entire Ionian region.
Erimitis lies at the northeastern tip of Corfu, between Avlaki and Agios Stefanos. Within a relatively compact area, dense Mediterranean woodland, three coastal wetlands, rocky shores and seven small undeveloped coves coexist, forming one of the island’s most complex natural mosaics. Its ecological significance extends from land to sea. Hundreds of plant species, dozens of bird species and more than 200 marine species have been recorded in the area, while extensive Posidonia seagrass meadows cover the seabed along the coast. The three wetlands also form part of a wider ecological system connected to the Albanian coast opposite and to the protected Butrint National Park. It is this coexistence of forest, wetlands and sea within an almost continuous undeveloped coastal zone that makes Erimitis an invaluable natural ecosystem, not only for Corfu but for the wider Ionian region.
▼Local communities and Save Erimitis members participated in the positioning of “sutures”.
Connect symbolic acts of care with people who have been protecting Erimitis for many years,
the stitches of Wound are positioned with the participation of members of
the local community and Save Erimitis © The Krank
▼Save Erimitis members gather next to the “wound”, with coastal wetlands and woodlands in the background,
members of Save Erimitis gather beside Wound, with the coastal wetland and woodland
of Erimitis in the background © The Krank
The Krank is a Greek visual artist based in Athens. His practice centers on large-scale site-specific installations, land art and public intervention, exploring the relationship between landscape, collective memory and contemporary social issues. Through his works, he transforms real places into sites of public dialogue and collective reflection. His work has been exhibited internationally in numerous cultural and institutional venues, including the Barbican Center in London, SLVV/Deutsches Historisches Museum, Transmediale 2024, Typo Berlin at Berlin’s World Cultural Palace, Documenta Halle in Kassel, Lucerne Center for Culture and Congress, World Congress Center in Bonn as part of a United Nations event, Berry Campbell Gallery in New York, and SESI Lab in Brazil in collaboration with the British Council, and participated in projects for the World Health Organization (WHO) during COP30.
The Krank is a Greek visual artist based in Athens. His practice centers on large scale site-specific installations, land art and public interventions that explore the relationship between landscape, collective memory and contemporary social issues. Through his work, he transforms real places into sites of public dialogue and collective reflection. His work has been presented internationally across cultural and institutional contexts, including the Barbican Center in London, SLVV / Deutsches Historisches Museum, Transmediale 2024 and Typo Berlin at Haus der Kulturen der Welt in Berlin, Documenta Halle in Kassel, Kultur- und Kongresszentrum Luzern in Lucerne, the World Conference Center Bonn as part of a United Nations event, Berry Campbell Gallery in New York, and in Brazil at SESI Lab in collaboration with the British Council, as well as within the World Health Organization (WHO) program during COP30.
▼A complete aerial view of the “wound” in the Erimitis landscape,
complete aerial view of Wound within the landscape of Erimitis © The Krank
Title of work: Wound (“Wound”)
Location: Erimitis, Corfu, Greece
Artist: The Krank
Public presentation: September 26–27, 2026
Syndicated by: Erimitis Plous/Save Erimitis
Support: Ionian Environment Foundation
Image Copyright: © The Krank
Artwork: Wound
Location: Erimitis, Corfu, Greece
Artist: The Krank
Public presentation: 26–27 September 2026
Co-organized by: Erimitis Plous / Save Erimitis
Supported by: Ionian Environment Foundation
Images: © The Krank
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