▽乡村建设不仅仅只是建设乡村

丙中洛，丁大妈介绍

Bingzhongluo,Introduction to Ding Mama

2004年，田壮壮导演拍摄的一部诗一般的纪录片《德拉姆》中，第一个镜头就是丙中洛乡的远景，云雾中的丙中洛如世外仙境般进入到大众视野。正如田壮壮所言：“居住在这里的民族，就像高原的山脉一样，不卑不亢，充满了传奇般的色彩，与自然和谐地并存。我们这些从外边来的人，只能仰视、欣赏、赞美他们。这里能给你一种力量，一份祥和及发自内心的喜悦，他们并不会因为你的赞美而改变自己。”

In 2004, the first shot of the poetic documentary “Drum” by director Tian Zhuangzhuang was a distant view of Bingzhongluo. Shrouded in clouds, Bingzhongluo appeared like a fairyland to those unfamilar. As Tian Zhuangzhuang said:“The people living here, like the mountains on the plateau, are humble and proud, full of legendary colors, coexisting harmoniously with nature. We outsiders can only look up to them, appreciate and admire them. This place gives you strength, peace, and inner joy. They will not change themselves to garner our praise.”

▽项目实地勘察风貌

在这样一处雄奇、神秘、美丽到令人失语的地方世代生活着怒族、傈僳族、藏族以及独龙族等十多个少数民族，多民族的栖息也让这片土地的人们有着非常自由的信仰，基督教、天主教、藏传佛教等共存共生，这里的每个人都各有他们自己的神明，用不同的语言讲诉着他们自己的信仰与热爱，以及最原始的纯粹。

In this powerful, mysterious, and beautiful land, more than ten ethnic minorities such as the Nu, Lisu, Tibetan, and Dulong have lived for generations. This multi-ethnic coexistence allows for diversity of thought and free expression of religion. It is here religions such as Christianity, Catholicism, and Tibetan Buddhism gracefully coincide. The people of Bingzhongluo express their faith and love in different languages with primitive purity.

▽他们自己的信仰与热爱

民宿不仅仅是途中的短栖，它更像是路上的家

A Homestay is More Than Just a Short Stay ,It’s a Home on the Road

“丁大妈的家”是丙中洛的第一家民宿，伴着上世纪90年代改革开放，一批批背包客走进“养在深闺人未识”的丙中洛与丁大妈偶遇结识。丁大妈汉名俞秀兰，藏族人，常因热情的给旅人指路、带路，有时还会喊到自己家中做客喝茶歇脚，而被大家亲切的称呼为“丁大妈”。随着旅人口口相传，丁大妈家也迎来越来越多的客人。

2022年当我们第一次寻来的时候，82岁高龄的丁大妈，依旧淳朴与热情，但家里的房屋以及院落已经斑驳老旧，云南多雨气候导致的漏雨和潮湿、墙壁倾斜等一系列问题使这个曾经迎来送往无数旅人的“家”无法再为他们遮风避雨。

“Ding Mama’s House” was the first homestay in Bingzhongluo. As the country opened up in the 1990s, backpackers stumbled upon Bingzhongluo and met the sheltered Ding Mama by chance. Ding Mama, whose Han name is Yu Xiulan, is Tibetan. Known for her enthusiasm in guiding travelers and sometimes inviting them home for tea and rest — she became affectionately known as “Ding Mama”. With word of mouth spreading, Ding Mama’s house welcomed more and more guests.

When we first arrived in 2022, 82-year-old Ding Mama remained simple and warm-hearted. However, her home and courtyard had become weathered and old. The rainy climate of Yunnan led to leaks, dampness, and tilting walls, making the home that had once hosted countless travelers unable to shelter them from wind and rain.

▽改造前

建筑与环境

Overall Renovation Description

在前期考察中发现丁大妈家原生场域地势高差明显，这也给了我们一个契机，将建筑组分台处理，与庭院景观高差自然协调。旧屋改造与新房基于场地的高差穿插链接，出于各功能区域连通性的需求，我们考虑在场地内设置多种动线，并消隐生硬的挡墙与传统的连廊，采取更为开放的形式与自然互拥，创造出更为丰富的迂回行动路线。

During preliminary visits, we found that the terrain of Ding Mama’s house had significant elevation differences. This presented an opportunity to create vertical distinctions within the architectural components, harmonizing them with the natural landscape. The terrain also provided an opportunity to seamlessly blend the old houses with the new. To connect the various functional areas, we incorporated open pathways, transforming the walls and corridors with a winding route through the rolling hills of Bingzhngluo.

▽项目总览

建筑是与自然山川之间产生多维度关系的共合体。建筑外墙与景观挡土墙的材料均就地取材，以表达对大山的敬畏。大自然给予丙中洛独特的矿质馈赠，山石切面如刀削一般平整，运用山石砌筑成面，其独特的肌理也具有强烈的在地性和饱满的视觉张力，如原地生长出来的空间，消除现代建筑与自然的距离感。

Architecture is a vessel to enhance and bring attention to nature and the surrounding mountains. We sourced local materials for the exterior and landscape retaining walls, expressing reverence for the mountains. The mountains of Bingzhongluo present another unique opportunity to utilize local materials. A distinctive feature of the mountains is their surface — though untouched, they appear so smooth, one would assume it had been polished. By using stone to construct walls, the distinctive texture enhances the local character, dissolving the distance between modern architecture and nature.

▽建筑是与自然山川之间产生多维度关系的共合体

我们在主楼加建了一层三角形的坡屋顶结构，不仅化解了主入口与内部建筑体块的高差关系，且顶端玻璃幕墙与大跨度钢结构的工艺系统，为引进自然光线创造了对话与互动。

A triangular sloped roof was added to the main building, resolving height differences between the entrance and internal structures. The glass curtain wall at the top, paired with large-span steel structures, allows natural light to enter, opening a dialogue between the occupants and the light shining in. Inside, a circular dome leads to the sky.

大堂空间

The Pyramid

在内部构建了一个圆形藻井，通往天空方向的藻井。圆形，在藏族文化中是仪式的象征，在藏族先民那里，“圆”是神圣的，是由对太阳的敬仰源发而来，也具有巨大的力量。当每日太阳升起，阳光透过云层、穿过井藻射入一束白色的光柱，并随着日照的推移切换角度，场域的基调与精神也随之产生。

In Tibetan culture, circles symbolize rituals and reflect reverence for the sun. As the sun rises, beams of light pierce through the clouds and enter through the dome, setting the tone and spirit of the space. As the day passes, the natural movement of the sun around the sky presents a pure spectacle of nature which can all be observed through the dome.

新的建筑体块被赋予人文绵延传递象征性的同时，也塑造着空间的独特性。主楼面前的镜面水池，将建筑与天空在水面的反射下形成对称式的构图，在群山环绕的背景衬托中显得尤为干净纯洁。

A reflecting pool in front of the main building mirrors the sky, creating symmetrical compositions that appear pure and serene against the mountainous backdrop.

主楼一层的多功能休憩空间，我们为其取名为歇，希望至此的人都能经历灵魂平静的过渡，内退的灰空间不仅作为人行次动线，靠近水池的躺椅也尽数渲染着休闲生活的界面，偏安一隅， 便能让我们感受到无限的空灵与宁静。

进入歇的室内部分，我们保留了一整面原始建筑的毛石墙，粗矿的质感与充满野趣的家具、饰品相互承接。从当地村民家里回收的带有强烈民族质感的布料被制成艺术装置，重塑的感观形象制造令人沉浸的氛围，影响是悄无声息的。

The first floor of the main building houses a multifunctional resting area called “Xie,”. Xie is a transitional space that blends the cool natural exterior with the warm hospitable interior and invites people to experience the peaceful coexistence of two worlds. In the exterior part of Xie, near the reflecting pool, lounge chairs are tucked away in an unassuming quiet corner. The space fosters serenity and calmness.

In the interior portion of Xie, we preserved the entirety of one of the original walls of the building. Furthermore, we used recycled furniture and fabrics from locals to create an immersive blend of historic influences with the renovated space.

客房、 青旅 、餐厅

Guest Rooms 、Hostel 、 Dining

丁大妈家的宿息民宿是全部建筑组中唯一一座新的建筑，原为一处由杂乱的台地，我们因地制宜借助建筑的分台高度与主楼进行搭建，满足与大堂联通性的功能需求。也因背靠山脉，宿息的所有房间都能看到嘎哇嘎普雪山，雪山随着每一天雾气丰富变化的流动中产生各种自由的动态视觉画面，框入空间让人变得更加的期待。

Ding Mama’s guesthouse is the only new building in the complex. The site was previously scattered terraces, and we catered our design to adapt to the terrain, ensuring connectivity with the hostel’s main hall. Backed by mountains, all rooms offer views of the snow-capped Gawa Gap mountain.

结构本是空间中的基础构件，但当二层坡屋顶的建筑结构被转换为另一种更为艺术的表达时，光与影的对比，极富几何力量感的序列递进，外衍的张力在不同维度中变得具象。

The ever-changing clouds and mist bring dynamic, framed views of the mountain into the space, inspiring anticipation.

基于经济性的考量，我们保留了宿息与且则两种住宿需求。相别于宿息独立私密的居住空间，且则则对于希望短暂停留的年轻人保留了更为开放、交互的新生代暂住地。共享的阅读休息空间将每一个居住单元连接成了一个整体，单元内部窗与墙体的关系处理，最大限度的将天空和远山之景框入室内，使内外不同的观景感官叠加。

Structural elements become artistic expressions as light and shadow interplay, creating a powerful geometric sequence. The hostel spaces cater to both private stays and short-term, interactive accommodations for young travelers. Shared reading and relaxation areas connect the units, blending interior and exterior scenery. The units feature large open windows inviting the sky and the mountains to infuse with the residents.

餐饮空间是最能体现在地民俗文化的元素之一，也是承载味觉之外的记忆刻画。餐厅大块面采用在藏族人心中代表土地的暖黄色，粗粒的墙面肌理让一切以最原始真实的民族形态呈现，不同的桌椅组合形式，打破原本单调的空间结构交互出层次感。闲坐于此，视线不自觉地延伸至远山，满眼苍翠，沉浸其中。

The dining area highlights local culture, with yellow hues representing the land in Tibet. The textured walls preserve authenticity, and diverse furniture breaks monotony, extending views to the mountains and enhancing immersion.

丁达尔堂

Tyndall Hall

进入丙中洛远远就能看到白色的重丁教堂伫立在村子的中央，丁大妈的家就在重丁教堂的旁边。信奉天主教的丁大妈，掌管着教堂的大门钥匙，她时常在教堂中吟唱藏语的圣诗。

在西方早期文明中，人们称透过云层间隙射出的光束为耶稣光，也就是我们现在所熟知的丁达尔效应。因此，我们在改造的伊始就想为丁大妈建立一个关于光的精神场域–丁达尔堂，以光代表神的位置。

Ding Mama’s house stands near Chongding Church in the village center. As a Catholic, Ding Mama holds the key to the church, and she often sings Tibetan hymns there.

Inspired by the Tyndall effect, from the very start of our renovations we envisioned a spiritual space for Ding Mama, Tyndall Hall where light represents a divine presence.

丁达尔堂没有对于传统宗教的刻意追求，只是将光的各种可能性融入，光束透过彩色玻璃映射在墙面，色彩使构图变得灵动，空间也仿佛成为光的容器。只此所营造的氛围感知与精神在空间中被无限放大，也使得让人更加期待。当丁大妈坐在丁达尔堂的长椅上再次唱起藏语的圣诗，建筑与人的交互所迸发出的能量，是洞穿心灵的力量。

Tyndall Hall is accessible for non-religious purposes as well and can serve as a space of quiet reflection as light filters through colored glass, dynamically shaping the space. When Ding Mama sings hymns in Tyndall Hall, the energy between people and architecture touches the soul.

火塘，时间与记忆

The Fire Pit，Time and Memory

以前，每当旅人到访，丁大妈都会邀请大家围坐在的火塘边，喝着酥油茶和自酿的苞谷咕嘟酒，谈天说地。改造后的火塘依旧沿用原始的建筑结构，梁架上烟火的气息也为之保留，仿佛还存留着昨日的欢笑，让空间回归“家”的初衷，成为日常与记忆的载体。

In the past, whenever travelers came by, Ding Mama would invite them to sit by the fire pit, drink tea, corn wine, and chat. The renovated fire pit retains its original structure, preserving the smoke-stained beams and memories. The fairly untouched space invokes a feeling of nostalgia and of its previous life.

火塘门前是一片露天开敞的区域，入暮时分，太阳隐于大山的身后，所有光辉逐渐收敛，一团篝火在场地的中央被燃起，火焰带来的温度使人与人的交往在这片充满原始野趣的场域产生。

The open area by the fire pit, where a bonfire lights up at dusk, invites interaction in this wild yet warm space.

保留下来的树，敬畏，让场域充满精神信仰

Preserved Trees，Reverence fills the space with spiritual faith

场地内的多棵乔木被悉数保留。它可能不具任何含义，也不代表任何东西，而它却能和丁大妈吟唱的调子一样感染着周遭的一切。我们利用高差关系架设的环形栈道中间夹着一棵老树，它根植于场地中轴之上，与主楼遥相对望，延伸出去的栈道也让人进一步前置与群山相拥。当山间的雾气升腾，抽象且虚无的诗意画面微妙转换，平淡却丰盈，得以寻觅到内心真正的向往。

Most of the trees within the site were preserved. They may not have any meaning or represent anything, yet like Ding Mama’s hymns, they can still greatly influence their surroundings.An old tree growing from a basin within the terrain and encircled by a bridge lies coincident with the main building. When the fog settles between the mountains, it poetically frames the old tree and the buildings against the mountainous backdrop of Bingzhongluo. This scene raises a call for inner reflection and tranquility in the viewer.

结语

Conclusion

“如果美丽有颜色，你已经看到了。”这是在丙中洛随处可见的一句宣传语。但此刻我们想说，如果光可以被看见，你已经看到了。

“If beauty had a color, you will see it here”, this is the slogan used by Bingzhongluo locals. However, we want to paraphrase this and say, “if light can be seen, you will see it here”.

项目名称：丁大妈的家

项目地址 ：中国云南丙中洛

项目面积：700平方米

项目类型：建筑设计、景观设计、室内设计、软装设计、视觉设计

建筑事务所：无设建筑

主创设计：顾忆

设计团队：苏美娜、高峰、欧书琴、舒克

项目摄影：无设建筑