HomeArchitectureWorkplaces are luring employees back with amenity-rich spaces

Workplaces are luring employees back with amenity-rich spaces

Published on


Four years into the age of Return to Office (RTO) and six years since COVID-19 upended the rhythms of office life, the American workplace has become a stage set for corporate reassurance. Employers have realized that if they want bodies inside buildings again, they need buildings that look like someplace a person might choose to be. Offices can’t be offices anymore. They must be ecosystems, resorts, gyms, clubs, cultural venues, wellness sanctuaries, production studios, and restaurants.

The strategy appears to be working, at least for the newest towers. Manhattan businesses leased 23.2 million square feet of office space in the first nine months of 2025, the highest volume since 2006, according to real-estate services firm CBRE. The rebound has pushed New York ahead of the national curve, where office leasing still sits roughly 11 percent below pre-pandemic norms.

Restaurant booths inside the JP Morgan Chase
Restaurant booths inside the JP Morgan Chase headquarters are a place to work, socialize, or dine. (Lucas Blair Simpson/SOM)

Yet the recovery remains uneven. Manhattan’s office vacancy rate still sits at 14 percent, according to CoStar, nearly double the 8.2 percent recorded at the end of 2019. Many of the city’s older office buildings are increasingly considered obsolete, with some slated for residential conversion.

Amenity Arms Race

In the new Foster + Partners–designed JPMorgan Chase building at 270 Park, there are meditation studios, nap rooms, IV-drip stations, cold-plunge baths, pilates reformers, recovery pods that look like chrome eggs, and a 38,000-square-foot fitness center that boasts two swimming pools and a view that makes the Empire State Building look like a souvenir. Grab-and-go cafes were engineered to mimic boutique juice shops in Nolita. There is an in-house clinic. There are showers nicer than most spa showers. The building exudes choice, but choice isn’t really an option. From the outside, the tower rises 1,388 feet in bronze and steel, its tapered silhouette carved in the air. It’s too big, too confident, too self-assured to belong in the real world. In a time defined by contingency and hedging and “we’ll reassess in Q4,” 270 Park is a declarative sentence.

JPMorgan, like most major firms, has tightened its in-office guidelines. The badge system knows when you’re here and when you’re not. Senior managers have been reminded that leadership means visibility. And visibility, the logic goes, does not happen at home.

“I honestly haven’t had time to check out the amenities,” one employee told me. “I usually just want to get out of here as quickly as possible.”

270 Park is chock full of amenities for employees. (Lucas Blair Simpson/SOM)

A Brief History

Office design has always been a physical expression of economic anxiety. In the postwar years, corporations tried to optimize efficiency with endless rows of desks under fluorescent lights. The cubicle arrived in the 1960s as a humanizing reaction, a semi-private buffer meant to protect individuality, which quickly morphed into a symbol of gray corporate despair. The 2000s gave us glass-walled collaboration hubs and open-plan desking that promised transparency and delivered noise. Then came the tech-campus era of the 2010s with calorie-dense office utopias with nap pods, cereal bars, kombucha taps, slides, and a Silicon Valley ideology that insisted work was play.

The pandemic destroyed that illusion so thoroughly we still haven’t recalibrated. Suddenly, workers realized they didn’t need a slide or a juice bar to do their jobs, all they needed was a quiet room. For the first time, the office had to compete with home.

Architecture has become a quasi-behavioral tool to inspire presence, to reward attendance, to smooth the tension between autonomy and surveillance. Once again, large companies want us “oohing” and “aahing”’ over their corporate headquarters.

Designing for Behavior

Across Manhattan, variations of this phenomenon have materialized in steel, concrete, and glass.

The escalation isn’t accidental. According to Amanda Carroll, a principal at Gensler, companies are no longer designing offices around headcount alone—they’re designing around behavior.

“The office environment becomes the terrain,” Amanda Carroll, a principal at Gensler, told AN. “The people are the force that really drives the business, and we’re trying to match the two, so that we’re marrying the best ecosystem environment to support the changing nature of work and the individuals that are propelling that work forward.”

That shift, Carroll argued, has made physical space inseparable from corporate performance itself. “Enterprise performance is now almost inseparable from project performance,” she said, “because the work settings are so impactful to the efficiency and the output of what an individual can do to drive business.”

terrace outside the spiral
Terraces wrap the facade of The Spiral in a continuous vertical landscape that promotes wellness. (Laurian Ghinitoiu)

At The Spiral, Bjarke Ingels Group’s 66-story Hudson Yards tower, terraces wrap the facade in a continuous vertical landscape. Plants spill over glass balustrades, wooden benches punctuate the greenery, and the building’s signature feature doubles as both Instagram image and architectural thesis about nature, density, and workplace wellness.

That logic extends to the building’s amenity mix. French chef Gabriel Kreuther recently opened two restaurants on the ground floor: a full-service, live-fire restaurant and a casual cafe offering grab-and-go fare.

Just a few hundred feet away, construction is beginning on 70 Hudson Yards. Designed by Gensler with interiors by INC, the project takes the wellness narrative even further. Plans include therapy rooms, a hydration clinic, soft-lit meditation alcoves, a medical suite, and a podcasting studio. The contemporary office is no longer just a place to work, it is a content engine, a recovery center, and a behavioral nudge machine.

Adam Rolston, a partner at INC, described today’s workplace as a “mind, body, and soul” proposition, where sustainability, wellness, and beauty are inseparable. Natural light, non-toxic materials, and biophilic elements aren’t just environmental gestures, he argued; they’re psychological ones, shaping how people feel and behave in space.

IBM office outside
Providing access to outdoors was also a priority for IBM’s offices in New York City. (© Alexander Severin/Courtesy Gensler)

“There’s now an expectation that your work life and your personal life come together,” he told AN. Rolston frames contemporary workplace design around what he calls “mind, body, and soul.”

The Limits of Architecture

But research suggests that architecture alone can’t manufacture collaboration or loyalty. According to the Gensler Research Institute’s Global Workplace Survey 2025, people primarily come to the office to meet, socialize, and work alongside colleagues they already know, not to access amenities. While newly renovated offices score higher on comfort and environmental quality, overall workplace effectiveness has stagnated since the pandemic, with noise, distraction, and availability of space remaining persistent problems.

In response, consultants like Under a Tree, an advisory firm that works with developers and architects on wellness-forward environments, have stepped in to fill the gap. “It’s the programming that brings the space alive,” founder Amy McDonald, told AN. “It’s not the actual space itself.”

McDonald is explicit about the distinction. “If it’s not activated, with reasons for people to come and use that space, it’s just wasted space,” she said. “It has to be ignited.”

Studies of worker habits have revealed that spaces designed for social gathering don’t always promote that activity. (© Alexander Severin/Courtesy Gensler)

Under a Tree’s work focuses on what McDonald calls the “software” of wellness: recovery lounges that function as social spaces, contrast-bathing circuits that can host groups, and meditation rooms that double as programming venues. “We’re not really talking about spa treatments,” she said. “We’re talking about the social components, the recovery areas, the immersive experiences.”

The goal, she explained, isn’t indulgence. “It’s community loyalty,” McDonald said. “Not company loyalty.”

However, being in the same building doesn’t automatically generate cross-pollination. In highly stimulating environments, people tend to interact more with familiar teammates, not strangers. Worse, when presence is monitored, as it increasingly is under RTO policies, employees may avoid the informal conversations that offices are supposedly designed to encourage, for fear of not looking “productive enough.”

“Organizations are so focused on getting people there that they’re not thinking about getting the right people there at the right times,” Michael Pratt, organizational psychologist and professor at Boston College, told AN. “If I’m going to go into the office, I’d give up a wellness center to be there with people I actually want to work with.”

He continued, “If I can do everything at the office—if I can work out, go to my job, have my cleaning done, get my food—and there’s no reason to leave.”


Latest articles

CP Headquarters by LJ-Group – mooool

本文由 LJ-Group 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。 Thanks LJ-Group for authorizing the publication of the project on...

Kupuri House by Módica Ledezma + Central de Arquitectura – mooool

本文由 Módica Ledezma 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。Thanks Módica Ledezma for authorizing the publication of the project...

Weimar Group Corporate Report – mooool

景观路上,有哪些公司在不同时空与我们同行,他们是缘何而作?奉行什么理念?mooool推出<企业报道>,呈现团队及项目背后的故事与思考,留与读者各自采撷。第二期为大家带来的是:上海魏玛景观规划设计有限公司。总策划:陈科君编辑:Maggie审校:Via Wang  魏玛 以景观规划为起点,由贺旭华于2007年创立,经过十多年的沉浮,他们始终保持年轻的心态,接纳新的思维方式往前进,如今魏玛以优秀的设计品质、创新的设计理念迎来了新的开始,一跃成为景观设计行业的领军队伍之一,获得行业内的高度认可。    创始人的景观思维贺旭华作为魏玛的创始人,同时兼备了建筑学和规划的学科功底,他多年来在不同的设计领域中都有丰富的经验,参与了数量众多的景观设计,城市规划、城市再发展规划和土地使用规划等多种类型的项目。他的设计着重于反映城市和景观建筑的历史发展,诠释景观在建筑、城市空间与人类的关系。 <建筑在哪里终止,景观在哪里开始>“90年代,正值行业变革时期,建筑与景观的边界感变得非常清晰,甚至是各做各的,达到了隔绝的状态,这是我难以理解的。正如田园学派建筑大师弗兰克•劳埃德•赖特所言‘建筑与景观相融共生,建筑应该看起来是从那里成长出来的,并且与周围的环境和谐一致’。再比如你去逛一逛中国的拙政园,你会发现建筑是景观的一部分,景观是建筑室内空间的室外延伸。你品味一下香洲石舫,跳板为桥,船头是台,前舱是亭,中舱为榭,船尾是阁,阁上起楼,和小飞虹、连廊以及山水绿化融合在了一起。空间渐次从开敞过渡到灰空间再过渡到室内。很多古典建筑的很窗子也是可以支起和摘下的,以求最大可能地让景观流淌进来。所以,建筑在哪里终止,景观从哪里开始,这是一个很难界定的概念,建筑、景观作为城市的载体,作为我们身体与心灵的栖息地,两者共生、密不可分。我经常不去试图思考建筑和景观的差异,在我看来,没有只做建筑的建筑师,也没有只做景观的景观设计师。如果一定要说差异,那就是建筑需要遵守更多的行业规范,而景观却是少了一些拘束,可以在场地上更自由大胆地表达。” <规划、建筑、景观三者之间的关系>贺旭华坦言,“从一开始,我的设计就是涵盖全过程的”,他解释道,97年-05年之间,他所在的公司,都是规划、建筑、景观3个维度整合起来做设计一体化的总承包。当然那时候的景观并没有被重视到现在这样一个高度,规划统筹着景观和建筑,而景观和建筑又是相互渗透的关系。“所以后来我创业定位景观,而不是仅仅着眼于景观。我喜欢的状态,恰恰是那个时候的二者所呈现出来的状态。建筑是景观的一部分,景观是建筑的室外衍生,让室内外相互渗透和流动。”但在设计价值层面,相比室内,室外有更优的风、光线等外部因素的加成,通过设计,合理安排自然和人工因素,人的行为在一定程度上会受场地的牵引,可以使人在环境中更加放松,更愿意打开心扉交流,愉悦地享受生活,感受到交往的幸福,实现街道让我们紧密相邻,公园让我们分享快乐,社区让我们互相关爱。 <搭乘自动扶梯的时代已经结束,设计的高度更应该由年轻一代来向前推进>“科技更新与经济高速发展,为景观设计提供了良好的成长环境,工作流通过软件技术、参数化的辅助得到了质的提升,加之便捷的资讯交换,带来了更自由的思想碰撞和价值观的表达。每个人都在这样的环境下收获成长,受益良多,同时新兴的市场也赋予了行业更多机会,市场在不断推陈出新涌现出百花齐放的作品。但行业在高杠杆高周转的同时,也迎来了一些躺平危机,为了搭上时代变迁的顺风车,设计公司如雨后春笋般崛起,犹如搭上了自动扶梯,快速地成长壮大。可以说,这是最好的时代,也是最坏的时代,魏玛要做的,不是躺平圈地自萌,作为设计公司,越是这个时候,我们越是需要通过实力提升,在急流中厚积薄发。时代更迭快速,企业的发展不是管理者的独角戏,设计的高度更应该由年轻一代来向前推进,在协作的过程中接纳思维的异同,求同存异碰撞出的经典的火花。”    企业理念魏玛设计本着Love‘s inside——设计传递关爱的设计愿景,从热土、传承、科技、人四个维度出发,秉持“以人为本”的理念创新引领,始终保持以建设“生态、自然、人文、诗意和有温度的园林景观”为基石,尊重每一寸土地,将景观升华为定义生活的语言。坚持以“由零至一”和“从九到十”全方位一体化的卓越品质力为合作客户赋能。“由零至一”是立意解题的过程,这是感知场地输入和设计价值观输出的过程,某种程度上决定了项目的高度;“从九到十”是项目落地品质的保障,为此他们还专门成立了“现场设计师”部门,提供专业的现场监造服务,西安融创曲江印和仁恒上海海上源就是魏玛现场监造的典范。除了专注设计本身,魏玛亦在探索平台内以及平台之间更好的协作方式,把天马行空的想法转化为巧妙适宜的现实。公司的软件团队持续用了六七年的时间自主研发了景观设计行业VR绿化设计软件“EZLand园林大师”,在绿化设计及其落地管控方面采用了先进的VR技术及互联网技术。他们一群人试图弥补的,也许是景观设计垂直行业的最后一块短板——数字可视化的植物设计。 ▽办公环境 在内卷的时代,魏玛在做好自己的同时,也希望为行业赋能,引领行业技术的发展,给行业带来工作流上技术手段的再一次提升。谈及奋斗多年的成果,贺旭华表示,“魏玛还需要成长,需要继续创新突破,让技术与艺术的融合真正服务于现代景观!   部分奖项2021 IFLA国际大奖公园和公共空间荣誉奖2021 REARD地产之星 居住类景观-银奖1项,荣誉奖3项2021 园冶杯专业奖地产园林示范区类-金奖4项,银奖7项,铜奖3项2021 美尚奖生活美学设计类- 优秀奖3项2020 CREDAWARD地产设计大奖-金奖1项,优秀奖3项2020 园匠杯年度地产示范区-景观优秀奖3项2020 金盘奖全国总评选前三,年度最佳预售楼盘奖、年度最佳住宅奖共计11项奖项2020...

More like this

CP Headquarters by LJ-Group – mooool

本文由 LJ-Group 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。 Thanks LJ-Group for authorizing the publication of the project on...

Kupuri House by Módica Ledezma + Central de Arquitectura – mooool

本文由 Módica Ledezma 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。Thanks Módica Ledezma for authorizing the publication of the project...

Weimar Group Corporate Report – mooool

景观路上,有哪些公司在不同时空与我们同行,他们是缘何而作?奉行什么理念?mooool推出<企业报道>,呈现团队及项目背后的故事与思考,留与读者各自采撷。第二期为大家带来的是:上海魏玛景观规划设计有限公司。总策划:陈科君编辑:Maggie审校:Via Wang  魏玛 以景观规划为起点,由贺旭华于2007年创立,经过十多年的沉浮,他们始终保持年轻的心态,接纳新的思维方式往前进,如今魏玛以优秀的设计品质、创新的设计理念迎来了新的开始,一跃成为景观设计行业的领军队伍之一,获得行业内的高度认可。    创始人的景观思维贺旭华作为魏玛的创始人,同时兼备了建筑学和规划的学科功底,他多年来在不同的设计领域中都有丰富的经验,参与了数量众多的景观设计,城市规划、城市再发展规划和土地使用规划等多种类型的项目。他的设计着重于反映城市和景观建筑的历史发展,诠释景观在建筑、城市空间与人类的关系。 <建筑在哪里终止,景观在哪里开始>“90年代,正值行业变革时期,建筑与景观的边界感变得非常清晰,甚至是各做各的,达到了隔绝的状态,这是我难以理解的。正如田园学派建筑大师弗兰克•劳埃德•赖特所言‘建筑与景观相融共生,建筑应该看起来是从那里成长出来的,并且与周围的环境和谐一致’。再比如你去逛一逛中国的拙政园,你会发现建筑是景观的一部分,景观是建筑室内空间的室外延伸。你品味一下香洲石舫,跳板为桥,船头是台,前舱是亭,中舱为榭,船尾是阁,阁上起楼,和小飞虹、连廊以及山水绿化融合在了一起。空间渐次从开敞过渡到灰空间再过渡到室内。很多古典建筑的很窗子也是可以支起和摘下的,以求最大可能地让景观流淌进来。所以,建筑在哪里终止,景观从哪里开始,这是一个很难界定的概念,建筑、景观作为城市的载体,作为我们身体与心灵的栖息地,两者共生、密不可分。我经常不去试图思考建筑和景观的差异,在我看来,没有只做建筑的建筑师,也没有只做景观的景观设计师。如果一定要说差异,那就是建筑需要遵守更多的行业规范,而景观却是少了一些拘束,可以在场地上更自由大胆地表达。” <规划、建筑、景观三者之间的关系>贺旭华坦言,“从一开始,我的设计就是涵盖全过程的”,他解释道,97年-05年之间,他所在的公司,都是规划、建筑、景观3个维度整合起来做设计一体化的总承包。当然那时候的景观并没有被重视到现在这样一个高度,规划统筹着景观和建筑,而景观和建筑又是相互渗透的关系。“所以后来我创业定位景观,而不是仅仅着眼于景观。我喜欢的状态,恰恰是那个时候的二者所呈现出来的状态。建筑是景观的一部分,景观是建筑的室外衍生,让室内外相互渗透和流动。”但在设计价值层面,相比室内,室外有更优的风、光线等外部因素的加成,通过设计,合理安排自然和人工因素,人的行为在一定程度上会受场地的牵引,可以使人在环境中更加放松,更愿意打开心扉交流,愉悦地享受生活,感受到交往的幸福,实现街道让我们紧密相邻,公园让我们分享快乐,社区让我们互相关爱。 <搭乘自动扶梯的时代已经结束,设计的高度更应该由年轻一代来向前推进>“科技更新与经济高速发展,为景观设计提供了良好的成长环境,工作流通过软件技术、参数化的辅助得到了质的提升,加之便捷的资讯交换,带来了更自由的思想碰撞和价值观的表达。每个人都在这样的环境下收获成长,受益良多,同时新兴的市场也赋予了行业更多机会,市场在不断推陈出新涌现出百花齐放的作品。但行业在高杠杆高周转的同时,也迎来了一些躺平危机,为了搭上时代变迁的顺风车,设计公司如雨后春笋般崛起,犹如搭上了自动扶梯,快速地成长壮大。可以说,这是最好的时代,也是最坏的时代,魏玛要做的,不是躺平圈地自萌,作为设计公司,越是这个时候,我们越是需要通过实力提升,在急流中厚积薄发。时代更迭快速,企业的发展不是管理者的独角戏,设计的高度更应该由年轻一代来向前推进,在协作的过程中接纳思维的异同,求同存异碰撞出的经典的火花。”    企业理念魏玛设计本着Love‘s inside——设计传递关爱的设计愿景,从热土、传承、科技、人四个维度出发,秉持“以人为本”的理念创新引领,始终保持以建设“生态、自然、人文、诗意和有温度的园林景观”为基石,尊重每一寸土地,将景观升华为定义生活的语言。坚持以“由零至一”和“从九到十”全方位一体化的卓越品质力为合作客户赋能。“由零至一”是立意解题的过程,这是感知场地输入和设计价值观输出的过程,某种程度上决定了项目的高度;“从九到十”是项目落地品质的保障,为此他们还专门成立了“现场设计师”部门,提供专业的现场监造服务,西安融创曲江印和仁恒上海海上源就是魏玛现场监造的典范。除了专注设计本身,魏玛亦在探索平台内以及平台之间更好的协作方式,把天马行空的想法转化为巧妙适宜的现实。公司的软件团队持续用了六七年的时间自主研发了景观设计行业VR绿化设计软件“EZLand园林大师”,在绿化设计及其落地管控方面采用了先进的VR技术及互联网技术。他们一群人试图弥补的,也许是景观设计垂直行业的最后一块短板——数字可视化的植物设计。 ▽办公环境 在内卷的时代,魏玛在做好自己的同时,也希望为行业赋能,引领行业技术的发展,给行业带来工作流上技术手段的再一次提升。谈及奋斗多年的成果,贺旭华表示,“魏玛还需要成长,需要继续创新突破,让技术与艺术的融合真正服务于现代景观!   部分奖项2021 IFLA国际大奖公园和公共空间荣誉奖2021 REARD地产之星 居住类景观-银奖1项,荣誉奖3项2021 园冶杯专业奖地产园林示范区类-金奖4项,银奖7项,铜奖3项2021 美尚奖生活美学设计类- 优秀奖3项2020 CREDAWARD地产设计大奖-金奖1项,优秀奖3项2020 园匠杯年度地产示范区-景观优秀奖3项2020 金盘奖全国总评选前三,年度最佳预售楼盘奖、年度最佳住宅奖共计11项奖项2020...