HomeInterior DesignThis Design Duo's House/Workplace in New Delhi Exudes Heat

This Design Duo’s House/Workplace in New Delhi Exudes Heat

Published on


Interior and furniture designers Brian DeMuro and Puru Das distinguish themselves by deftly translating age-old Indian craft techniques and iconographies in spaces and objects that reflect contemporary and modern aesthetics. It’s a central feature of their eponymously named DeMuro Das studio. For the business and life partners, it’s all about rooting their forward-thinking concepts in history and utilizing the best quality components. While their limited edition tables, chairs, and credenzas reflect a careful interplay of sumptuous materials, textures, and colors, their interiors are imagined with a level of restrained eclecticism. Though pared back and sophisticated in composition, the practice’s residential projects exude a level of warmth and personality. It’s an approach best exemplified in their own, recently completed, New Delhi apartment, complete with a home office.

Situated on the 3rd floor of a 1950s modernist villa in the Indian capital’s up-market Jor Bagh neighborhood, the 2,700-square-foot flat was gut renovated and meticulously re-designed as a calling card entertainment space and design studio. DeMuro and Das reside on the floor below. The duo devised a design scheme that would both reflect their background as former New Yorkers and respond to these surroundings.

“We wanted this space to both embody our brand but also act as a crucible for new design projects,” says Das. “The apartment, of course, houses a number of key pieces in our furniture collection but we also designed and produced all of the millwork, doors, and even some of the lights and hardware as a way to showcase the breadth of our capabilities.”

Leaving no stone unturned, the duo custom-developed door handles based on the post ends of 19th-century palanquins—a vehicle transporting mail or people and carried by two individuals on either side. The decorative, animal-head element was 3D scanned, scaled down, 3D printed and cast in solid bronze to create this element in multiples. “These small interior details communicate a lot of what we aim for in our practice,” Das adds, “linking technology and contemporary design with India’s tradition of craft and ornamentation.”

The duo chose to restore the apartment with oak chevron patterned flooring and similarly light-toned wood wall paneling to help filter-in an ample amount of natural light. The space—complete with a sprawling living room, dining area, and den—sits on top of the building and makes the most of large exposures on all four sides. On its north side, an oversized terrace gives way to verdant greenery below.

The majority of DeMuro Das’s intervention centered on reworking the internal layout to create large entertaining zones and adjoining design offices. To take advantage of the sweeping views, window lintels were raised while the old wood framed external openings were replaced by sleek bronze framed glass doors. Ceilings were left free of recessed lights and curve down to meet the wall paneling. This pared back setting serves as the perfect backdrop for the duo’s select offering of furnishings, also available in their NoMad, New York showroom. The popular Claire Chaise takes pride of place near a reeded howlite supported shelf, adorned with an eclectic array of objects and books.

an orange velvet armchair against a muted natural rooman orange velvet armchair against a muted natural room
Works by local artists help root this entertainment/office space apartment in its surroundings.
a natural-toned living room with pops of colora natural-toned living room with pops of colora natural-toned living room with pops of color
A consistent earth tone palette renders in texturally-rich architectural elements that help create a muted backdrop for thoughtfully-conceived limited edition furnishings, some even upholstered in bold pops of orange.



Source link

Latest articles

Mingyang Coming 10 With Ningya Wu – mooool

 ————————————————影片时间————————————————  ————————————————阅读时间———————————————— 50岁打开设计界的网红赛道,个人自媒体账号@乌鸦行为,拥有超百万粉丝,自建美学综合体,举办个人艺术展,商业运营、出书……横跨广告/餐饮/时尚/绘画/雕塑/建筑等多个领域,人们笼统的称他为创意人&设计师&艺术家,似乎仅是这个肤浅的时代给他定义的社会属性,却不能完整概括其背后野性自由的灵魂。  前言:这次我们邀请武宁亚老师作为扬来了第一季收官之作的访谈嘉宾,一是希望走进物雅几何美学空间认识老师的艺术理念,二是以设计从业者的视角交流提问,以期老师凭借丰富人生阅历与智慧为我们答疑解惑,同时向这位从未被产业桎梏并反复跨界成功的“网红”取经,但愿以此启发景观或设计的边界可能。 注:以下仅为部分采访内容摘要,完整分享见文章顶部视频号链接。  正文:减少内耗的一味解药是「保持谦卑」不把自己当回事儿,就能在生活和工作中保持松弛感,以更谦卑的姿态面对外面的社会和网络舆论,会减少很多不必要的烦恼。于武宁亚老师而言,谦卑的内核建立在稳定自洽的人际认知体系上,自我谦卑、与人尊重,它们像是相互依存的正反两面。  社会进步需要「批判精神」保持思考,拥有自己的独立思想,正是现在大多数人云亦云的设计师所缺乏的。对于当下明显失衡的设计乃至社会生态,武宁亚老师也难免愤慨:大家都在歌功颂德的一片祥和之中,都是你好我好大家好,我们便不再思索,也不再讨论。可当现实生活与设计完全脱轨,我们怎么还能主动选择自娱自乐地沉浸?  为人类而作的「兔子洞」「物雅几何」是位于河南郑州的生活艺术集合空间,包括餐厅、酒店、图书馆、美术馆、瑜伽中心、买手店等业态,这里不仅可以满足人们任何艺术生活的需要,更承载着武老师有关社会宏大叙事艺术创作的热血与激情。武宁亚老师认为:在物质世界所有东西都可以创造,但唯有精神是创造不了的。「物雅几何」就像一个人类精神与文明的乌托邦,它让艺术以“拙朴”的方式融入大众生活。   设计师「自嗨」的时代已经结束时代在不断变化且永远变化,提及现状,武老师坚信「审美」才是设计的核心竞争力,由此注定设计师要不断推陈出新、与时俱进,而保持自我更新维持个性的重要手段就是独立思考,我们必须杜绝过去『抄作业』『吃快餐』的思维,放下自傲,走出自嗨,学着说人话,就是设计师们走出圈层拥抱新时代的第一步。  访谈最后,武老师对设计师寄语:热爱生活,贴近生活。勿停留在过去实用主义的简单阶段,精神层面是以后设计师唯一的出路。倘若跟未来AI相比,拥有健康的身体是应对不休不眠的机器的基础,而大胆融入生活敢于犯错,人的情感和真善美,将是唯一对抗今后人工智能技术最大的筹码。   出品:趣野一夏 & mooool审稿编辑:Maggie  Nguồn: mooool

A dwelling place in the wilderness | Seclusion

A dwelling place in the wilderness | Seclusion Nguồn: mooool

More like this

Mingyang Coming 10 With Ningya Wu – mooool

 ————————————————影片时间————————————————  ————————————————阅读时间———————————————— 50岁打开设计界的网红赛道,个人自媒体账号@乌鸦行为,拥有超百万粉丝,自建美学综合体,举办个人艺术展,商业运营、出书……横跨广告/餐饮/时尚/绘画/雕塑/建筑等多个领域,人们笼统的称他为创意人&设计师&艺术家,似乎仅是这个肤浅的时代给他定义的社会属性,却不能完整概括其背后野性自由的灵魂。  前言:这次我们邀请武宁亚老师作为扬来了第一季收官之作的访谈嘉宾,一是希望走进物雅几何美学空间认识老师的艺术理念,二是以设计从业者的视角交流提问,以期老师凭借丰富人生阅历与智慧为我们答疑解惑,同时向这位从未被产业桎梏并反复跨界成功的“网红”取经,但愿以此启发景观或设计的边界可能。 注:以下仅为部分采访内容摘要,完整分享见文章顶部视频号链接。  正文:减少内耗的一味解药是「保持谦卑」不把自己当回事儿,就能在生活和工作中保持松弛感,以更谦卑的姿态面对外面的社会和网络舆论,会减少很多不必要的烦恼。于武宁亚老师而言,谦卑的内核建立在稳定自洽的人际认知体系上,自我谦卑、与人尊重,它们像是相互依存的正反两面。  社会进步需要「批判精神」保持思考,拥有自己的独立思想,正是现在大多数人云亦云的设计师所缺乏的。对于当下明显失衡的设计乃至社会生态,武宁亚老师也难免愤慨:大家都在歌功颂德的一片祥和之中,都是你好我好大家好,我们便不再思索,也不再讨论。可当现实生活与设计完全脱轨,我们怎么还能主动选择自娱自乐地沉浸?  为人类而作的「兔子洞」「物雅几何」是位于河南郑州的生活艺术集合空间,包括餐厅、酒店、图书馆、美术馆、瑜伽中心、买手店等业态,这里不仅可以满足人们任何艺术生活的需要,更承载着武老师有关社会宏大叙事艺术创作的热血与激情。武宁亚老师认为:在物质世界所有东西都可以创造,但唯有精神是创造不了的。「物雅几何」就像一个人类精神与文明的乌托邦,它让艺术以“拙朴”的方式融入大众生活。   设计师「自嗨」的时代已经结束时代在不断变化且永远变化,提及现状,武老师坚信「审美」才是设计的核心竞争力,由此注定设计师要不断推陈出新、与时俱进,而保持自我更新维持个性的重要手段就是独立思考,我们必须杜绝过去『抄作业』『吃快餐』的思维,放下自傲,走出自嗨,学着说人话,就是设计师们走出圈层拥抱新时代的第一步。  访谈最后,武老师对设计师寄语:热爱生活,贴近生活。勿停留在过去实用主义的简单阶段,精神层面是以后设计师唯一的出路。倘若跟未来AI相比,拥有健康的身体是应对不休不眠的机器的基础,而大胆融入生活敢于犯错,人的情感和真善美,将是唯一对抗今后人工智能技术最大的筹码。   出品:趣野一夏 & mooool审稿编辑:Maggie  Nguồn: mooool

A dwelling place in the wilderness | Seclusion

A dwelling place in the wilderness | Seclusion Nguồn: mooool