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迈德景观：成都，自古以“天府之国”享誉天下，中亚热带湿润季风气候孕育了丰富的垂直生态系统，使这座城市跻身全球生物多样性最丰富的大都市之列。

项目所在地鹭岛板块，融合了丰富的城市文化、自然生态与国际艺术氛围，是成都都市生活美学的一种前沿存在。在成都这片丰沛的山林语境中，我们以“山林主义”回应都市生活对美与真实的渴望，思考艺术如何从表层装饰，回归为一种可被感知的存在语言。山林中的艺术意志——也许从不止于理性的凝视，可以是绿屿密林中的跃动，亦可成为日常步履间悄然被点燃的感官回响，承载着来自生命本源的情绪张力。

正是受到这片土地独有的艺术与生态双重滋养，这次，我们以更大胆的自然语汇回应其生态本底，以更自由的艺术语言回响鹭岛记忆。设计由此不再是形制的搭建，而是一场对“城市山林表情”的重新探索。

MIND STUDIO: Chengdu, renowned since ancient times as the “Land of Abundance,” owes its fame to its lush subtropical monsoon climate. This climate fosters a rich, vertical ecosystem, positioning the city among the world’s most biodiverse metropolises.

Located in the Ludao (Egret Island) district, a vibrant area blending urban culture, natural ecology, and international artistic flair, this project represents the cutting edge of Chengdu’s urban aesthetic. In this fertile, mountainous landscape, we’ve adopted a “Mountain & Forest Aesthetic” to address the urban longing for beauty and authenticity. We explored how art can transcend mere surface decoration and return to being a perceptible, expressive language. The artistic spirit within these mountains and forests goes beyond rational observation; it can be the vibrancy found within a verdant grove or the sensory echoes ignited with each step taken in daily life. This artistic spirit carries the emotional intensity inherent in the very source of life.

Inspired by the unique blend of art and ecology that nourishes this land, we responded with a bolder natural vocabulary to echo its inherent ecological foundation and with a more liberated artistic language to resonate with the memories of Ludao Island. The design process, then, shifts from a mere construction of forms to a renewed exploration of the ‘urban mountain forest expression.’

▽成都鹭岛-艺术与山林共鸣的天然基因

漫游雨林绿屿：探索自然的生命张力

Wandering Through Rainforest Islets: Exploring the Vitality of Nature

这不仅是一处用于“看见”的展示型空间，而是一场行走于山林绿屿间的日常漫游——如同穿梭在一座不断生长的艺术展馆中。

This is not merely a display space for “seeing,” but a daily immersive stroll through mountain forests and verdant islets—akin to traversing a continuously evolving art gallery.

项目整体空间布局采“群岛式”结构：前场为酒店式归家礼序，中场以下沉庭院“鹭隐”为精神核心，首层庭院则散布如溪屿般的日常生活岛屿，架空层则延展为人与自然、艺术共生的无界花园。每一处空间皆具独立个性，彼此呼应，又构成整体的漫游路径。

The project’s overall spatial layout adopts an “archipelago” structure. The front area features a hotel-style arrival sequence, while the central area’s sunken courtyard, “Egret Hideaway,” serves as the spiritual core. The first-floor courtyard is scattered with daily-life islands, like islets in a stream, and the elevated space extends into a boundless garden where people, nature, and art coexist. Each space possesses its distinct personality, resonating with one another to form a cohesive wandering path.

▽“M”字母的艺术logo雕塑，由数万颗银色金属珠构成，点、线、面的三维张力语言层层镶嵌，昭示着此处的艺术不再是背景装饰，而是一种被“看见”的存在语言

进入入口前场“漫归”，迎面即是两株舒展的西班牙油橄榄，蓝灰调的叶色仿佛将地中海的阳光与湿润气息一并唤起，搭配蓝翡翠奢石景墙与橄榄绿池底的缓流水景，在柔和中初现张力，昭示着山林另一种并存理性与野性生命力美学的可能。

Upon entering the “Leisurely Return” front area, you’re greeted by two gracefully spreading Spanish olive trees. Their blue-gray leaves seem to evoke both the Mediterranean sun and the humid atmosphere. This is paired with a Blue Emerald quartzite feature wall and a gently flowing water feature with an olive-green pool bottom. In this gentle setting, a sense of dynamism begins to emerge, revealing the potential for another aesthetic: one where the rationality and wild vitality of the mountain forest coexist.

步入室内，透过巨大的落地玻璃，眼前豁然见到下沉5.5米的庭院——“鹭隐”，仿佛是被雨林深处珍藏的秘境，静静等待着来访者的发现。灵感来源于亨利·卢梭笔下那片浓郁、梦幻、充满生命力的原始森林——不拘泥于真实的再现，而更强调自然的“感知体验”。所以，设计借助高差打造丰富生态位，营造出雨林深处的珍藏秘境。

Stepping indoors, visitors are met with a breathtaking view through expansive floor-to-ceiling windows: the sunken “Egret Hideaway” courtyard, plunging 5.5 meters below. This space feels like a secret realm, treasured deep within a rainforest, quietly awaiting discovery. The inspiration for this space comes from the lush, dreamlike, and vibrant primeval forests depicted by Henri Rousseau, focusing not on literal replication but rather on the “sensory experience” of nature. Thus, the design uses varying elevations to create a rich ecological niche, crafting a treasured, secret realm deep within the rainforest.

庭院中，黄花梨树撑起绿色天际线，伞状树冠洒下斑驳光影，静谧而朦胧。红脉象腿蕉巨大的叶片在微风中舞动，复杂的叶脉如艺术笔触勾勒生命脉络；羽状蕨类、海岛栀子等植物以婆娑姿态交织生长，呈现出一种不加雕饰的生命表达。

In the courtyard, padauk trees support a verdant skyline, their umbrella-like canopies casting dappled light and shadow, creating a tranquil and hazy atmosphere. The enormous leaves of the Red Abyssinian banana dance in the gentle breeze, their intricate veins tracing the network of life like artistic brushstrokes. Feathery ferns and gardenias from Hainan Island intertwine and grow in graceful postures, presenting an unadorned expression of life.

水景以多重状态悄然铺陈：或如溪流缓缓穿过曲线路径，或在花池边以细密如帘的线性水流垂落。水并不汹涌，也不辽阔，却始终在场，为空间注入轻盈的动态感。

The water features unfold subtly in multiple states: either flowing gently like a stream through winding paths, or cascading in delicate, curtain-like linear streams along the edges of flower beds. The water is neither turbulent nor vast, yet it is ever-present, infusing the space with a light, dynamic quality.

拾级而上，首层庭院“溪屿”如在密林穿行之后，豁然开朗的浅滩。极薄水景轻铺地面，清新如海，圆弧切割的真石汀步仿若浮岛，漂浮其上，穿插其间。可移动花箱如停泊海面的轻舟，载满绿意。

Ascending the steps, the “Stream Islets” courtyard on the first floor feels like a bright, open shoal after traversing a dense forest. An exceptionally shallow water feature lightly carpets the ground, refreshing like the sea. Circular-cut stone stepping stones resemble floating islands, appearing to drift and intersect. Mobile planters, like lightweight boats moored on the sea, are filled with greenery.

庭院的精神焦点，是一座极具雕塑感的异形廊架。以自由曲线和无缝构造打破常规构筑逻辑——不见结构骨架，却有肌肉般的张力。外部涂以淡米黄石材质感的艺术漆，内层则以银光质感呼应植物光影，成为山林中浮动的“艺术生物体”。廊架下，红色艺术沙发如林中的花苞，饱满而鲜明，搭配悬吊壁炉的篝火，成为交谈、停留、沉浸的核心空间。

The spiritual focal point of the courtyard is a highly sculptural, irregularly shaped pergola. Its freeform curves and seamless construction break conventional architectural logic, devoid of visible structural framework yet full of muscular tension. The exterior is coated with a light, beige stone-textured artistic coating, while the interior features a silver-toned texture that echoes the interplay of light and shadow from the plants, transforming it into a floating “artistic organism” within the mountain forest. Beneath the pergola, a red art sofa, like a blossoming bud in the forest, is vibrant and full, paired with a suspended fireplace’s bonfire, creating a central space for conversation, repose, and immersion.

周围松弛的沙生砾石、莫兰迪色调的龙舌兰、仙女之舞、剑麻等植物群落，如同解构主义艺术家笔下的自由笔触，形成不同的呼吸节点，勾勒着空间的生命力。

Surrounding it, a relaxed collection of xeriscaping gravel, along with agave, kalanchoe, and sisal plants in muted, Morandi-inspired tones, resemble the free-flowing brushstrokes of a deconstructivist artist, forming distinct nodes of respiration that delineate the vitality of the space.

庭院中的空间并无明确界限。穿过林隙的水影光斑，可对话的浮屿、谧境深处的沐光台，畔水流动的漫道，皆自然渗透，为生活留出“弹性空间”，鼓励人在其中自由探索、激活感官。

The spaces within the courtyard feature no clear boundaries. Passing through the dappled light and shadows of the trees, conversational floating islands, a sunlit platform in the depths of a serene realm, and flowing pathways alongside the water naturally permeate one another, leaving “elastic space” for life, encouraging people to freely explore and activate their senses.

架空层花园延续了这种生命力与美学秩序的并置逻辑。铺装借蒙德里安式比例划分，以理性结构承载自然蔓生；植物恣意“溢出”几何边界，构成一种张力与秩序共存的视觉韵律。

The elevated garden extends this juxtaposition of vitality and aesthetic order. The paving borrows Mondrian-esque proportional divisions, using rational structure to support the uninhibited growth of nature. Plants freely “spill out” beyond geometric boundaries, creating a visual rhythm where tension and order coexist.

雕塑涌泉由深墨玻璃与浪淘沙石材构成：前者由数片玻璃经激光切割后模拟深潭波纹，后者则在石纹上承载水流涌动，构建出视觉、听觉、触觉交织的场景体验。

The sculptural fountain is constructed from dark ink-colored glass and wave-washed stone. The former uses laser-cut pieces of glass to simulate the ripples of a deep pool, while the latter bears the movement of flowing water on its stone grain, constructing a scene where visual, auditory, and tactile experiences intertwine.

被感知的设计：情绪·材质·生命力

Perceptible Design: Emotion, Materiality, Vitality

设计从不是单方面的构筑，而是人与自然的共创过程。我们试图在材料与情绪之间、功能与感受之间，寻找到一种“共鸣关系”——不是为了陈列而打造空间，而是为了与人真实互动。

Design is never a one-sided construction, but rather a collaborative process between people and nature. We seek a “resonant relationship” between material and emotion, function and feeling—not to create spaces for display, but for authentic interaction with people.

水的存在，是氛围的浸润者——它轻落于曲线花池，流经汀步之下，于雕塑中轻涌而出，于不经意间改变着人的情绪节奏。一呼一吸之间，空间因水而鲜活起来。

The presence of water is an immerser of atmosphere: it falls lightly upon curved flower beds, flows beneath stepping stones, and emerges gently from sculptures, subtly shifting one’s emotional rhythm. With each breath, the space comes alive through water.

▽叠级而下的石材水景雕塑，水流交叠于坡地之间，模拟海浪起伏的动态，充满韵律

植物并非简单绿量填充，我们有意制造密林的层叠感与绿屿的节奏差，以植物的不同“张力”来塑造空间的气质。红脉象腿蕉与黄花梨的并置，释放孩童时对雨林密林的好奇与惊叹；鸟巢蕨与仙女之舞的组合，则承接了异域度假的想象与体感。我们相信，植物不止有“形”，更有“性格”——它们的气质，正是空间中生命张力的情绪色调。

Plants are not merely used as green volumes to fill space; we intentionally create a layered sense of dense forest and a rhythmic variation in the verdant islets, using the diverse “tension” of plants to shape the ambiance of the space. The juxtaposition of the Red Abyssinian banana and the padauk tree releases the childlike curiosity and wonder of the dense rainforest. The combination of bird’s nest fern and kalanchoe, on the other hand, evokes the imagination and sensations of an exotic vacation. We believe that plants possess more than just “form”; they also have “personality”—their temperament is precisely the emotional tone of the vitality within the space.

软装不再附属于“家具”的逻辑，而是于环境一同呼吸，回应着人进入空间后的每一寸感官。我们打破拘谨的姿态，让软装也拥有野性与脉动：在“鹭隐”，花瓣状白色沙发宛如晨光中悄然绽放的花，不夺目，却拥有包裹一切的柔软；饱满的红色座椅则如同雨林深处悄然跃出的热带果实。

Soft furnishings are no longer subordinate to the logic of “furniture,” but rather breathe with the environment, responding to every sensory detail experienced upon entering the space. We break free from a restrained posture, allowing the soft furnishings to also possess wildness and vibrancy. In “Egret Hideaway,” a petal-shaped white sofa resembles a flower quietly blooming in the morning light—unobtrusive yet possessing a softness that envelops everything; the full, red chairs, on the other hand, are like tropical fruits quietly emerging from deep within the rainforest.

溪屿中那抹墨绿色的半透明树脂茶几，仿若封存雨林根系与水痕的琥珀；白色座椅让人沉浸其中，当弧形让感受更加熨贴，轻盈的呼吸便被柔和的包裹。

In the Stream Islets, a translucent, dark green resin coffee table resembles amber, preserving the roots and watermarks of the rainforest. White seats invite immersion, and as the curves of the seating conform to the body, gentle breathing is embraced by a soft enclosure.

材料听从感官、尺度唤起共鸣。汀步浮起、壁炉轻响、落座片刻、回首庭景……人并非观看者，而是共生者。空间成为一场关于“感受力”的重新校准——在这里，设计不为表达而存在，而为“唤醒”感官而生。

Materials listen to the senses; scale evokes resonance. Stepping stones float, the fireplace whispers, a moment of sitting, a glance back at the courtyard… people are not observers, but co-inhabitants. The space becomes a recalibration of “sensory perception”—here, design doesn’t exist to express, but to awaken the senses.

化界为景，让规制悄然隐退在‘海屿’中

Transforming Boundaries into Scenery: Concealing Regulations in a ‘Sea of Islets’

本案最大的挑战，来自近42%的消防登高面占据，极大压缩了空间的组织性和体验感。面对这一难题，我们并未以传统铺装草草答卷，而是引入流动的线性美学与多重介质的对话，将“界”隐入“景”，使规制悄然隐匿。

The biggest challenge of this project stemmed from the nearly 42% occupation of the site by fire access routes, which significantly compressed the spatial organization and sense of experience. Faced with this difficulty, we did not simply provide a perfunctory answer with traditional paving. Instead, we introduced a flowing linear aesthetic and a dialogue of multiple mediums, concealing the “boundaries” within the “scenery” and subtly hiding the regulatory constraints.

▽前置规划基础中，消防场地占据近半的景观总面积（设计过程稿，实际以交付为准）

设计以三种明暗色阶的曲线铺装，与木纹平台柔性叠合，构筑如潮汐般律动的节奏，串联归家绿岛与主题庭院；极薄水面作为界限的润饰者，为空间注入呼吸感与轻盈感，而艺术花箱则提供林荫绿意，柏坡黄砾石与地被植物缝合边界处的肌理过渡。最终，原本冰冷生硬的界面，悄然被绘成一幅倒映水影中的第五立面画作，在安全与美感之间达成平衡，也重塑了场地的呼吸节奏。

The design utilizes three shades of curving paving, layered gently with wood-grain platforms, constructing a tidal rhythm that connects the green islands of the entrance sequence with the themed courtyards. The extremely shallow water surface acts as a softener of boundaries, infusing the space with a sense of breath and lightness, while artistic planters provide shaded greenery. Pebbles and groundcover plants stitch together the texture transition at the edges of the boundaries. Ultimately, the originally cold and rigid surfaces are quietly painted into a fifth facade reflected in the water, achieving a balance between safety and aesthetics, and reshaping the rhythm of the site.

结语

Conclusion

我们拒绝刻意的奇观，却不拒绝震撼的情绪。当城市生活越来越趋于理性规整，“山林主义”提供了一种新的可能：用自然的野性回应生活的秩序感，用艺术的真实唤醒空间的感受力。我们希望人们在这个空间里不仅被抚慰，也能被唤醒。

We reject contrived spectacles, but not the power of profound emotion. As urban life increasingly trends toward rational order, “Mountain & Forest Aesthetics” offers a new possibility: using the wildness of nature to respond to the order of life and using the authenticity of art to awaken sensory perception within the space. Our hope is that people in this space are not only soothed, but also awakened.

山林的艺术意志，最终指向的，不是遥远的自然想象或装饰主义的符号堆砌，而是让人们在日常的每一次走入、停留、凝望之间，被唤醒的感知力与被激发的生命力。这，便是我们所探求到山林中的另一种表情。

Ultimately, the artistic will of the mountain forest points not toward a distant, imagined nature, nor toward the accumulation of decorative symbols, but toward the awakened perception and stimulated vitality experienced with each daily entrance, pause, and gaze. This, then, is another expression of the mountain forest that we have sought to discover.

项目名称：越秀金茂天鹭满园

完成年份：2024年

示范区面积：5000m²

景观设计全过程+景观软装方案设计：MIND迈德景观

开发商：成都秀茂房地产开发有限公司

建筑设计：重庆天华

景观施工单位：华苑园林

景观落地技术顾问：工事设计咨询

摄影/美编：E-ar TARS

“ 山林，并非只有静谧与疗愈。当自然的野性张力，与艺术的表达欲相遇，空间便开始以另一种方式呼吸。”

审稿编辑：junjun

更多 Read more about: MIND STUDIO迈德景观